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Business Card Jewelry Designer

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THIS IS A STUDIO of admirable light, and lights. A awe-inspiring chandelier hovers over the desk, its handblown, cellophane bottle globules dangling like bloated raindrops aloof afore the drip. Nearby, a alternation of pendants, anniversary aglow through a altered pigment, from a altered altitude, stretches against windows about asleep by sunshine. A crammer table beneath boundless shelving holds added bright works of art — lights in progress; lights in pieces; lights apprehension the absolute bulb; lights to package, ship, install.

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This is the flat of Julie Conway, the artist/glassmaker/designer behind Illuminata Art Bottle Design. It’s housed in a labyrinthine above branch (extra-large aureate eggs abide stationed on the roof) and allotment of an alive Georgetown artists and artisans circuitous called Equinox Studios: “painters, ceramics, dance, blacksmiths, machinists,” Conway says.

Also, now: one aesthetic champ of an all-embracing lighting-design competition.

Conway designs and crafts art bottle lighting and custom architectural installations, but only allotment of her aesthetic action happens actuality — structurally, that’s “jewelry, Christmas ornaments, baby sculptural work,” she says. For beyond pieces, “There are two capital genitalia of my activity process: I draft bottle with my aggregation at a few hotshop furnaces around Seattle. Again I accompany the bottle aback to my flat for alignment and assembly. The metal components also are ordered off-site and appear aback for accumulation at my space.”

The Backstory: Photographing an artisan who works with blaze and light

There’s added off-site traveling to this ability than you ability anticipate — affair with architects and clients, consulting with accommodating machinists and electricians, renting spaces to draft the bottle for her designs. And so, ample on added shelving, abreast the costly daybed and clover armchair in the “living room” of her studio, Conway keeps, appropriately and a little surprisingly, luggage. Lots and lots of luggage, all colorful, labeled, organized and stuffed. Some accoutrements authority the sentimental, and awful practical, custom-built accoutrement of her passion.

“My aboriginal [suitcase] came from my boom artisan in 1996, back I started alive with glass,” she says. “He said, ‘You ability appetite to use this for your bottle tools; they’re sturdy.’ Back I go to the hotshop, I booty my circadian duke tools. They aroma like campfires.”

THINGS DO GET crisp-marshmallow balmy in a hotshop, all appropriate — Conway forms bottle at 2,100 degrees F, about at The Pratt Fine Arts Center, and about with a hired, trusted aggregation of 10.

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“Every one is an artisan in their own right,” she says. “It’s a beehive mentality. Bodies captivation aqueous bottle with blaze — we’re a attenuate bunch. Glassmakers are not alone artists sitting in caves.”

The aesthetic lights Conway has designed, created and fabricated, however, accept brought her absolutely a bit of alone recognition.

She submitted three pieces to the all-around LIT (Light in Theory) Lighting Architectonics Awards. One, the geometric, hand-blown-glass “Gabbietta,” won atonement acknowledgment in the chandelier category. For another, the blown-glass and ablaze accession “FracTur(ed),” which was already allotment of Bellevue Arts Museum’s “Glasstastic” exhibition, Conway was named Lighting Artisan of the Year 2018 in the Artisan Bottle Absolute Lighting category.

“The board was from India, France, South Africa — 15 absurd bodies in the lighting industry,” Conway says. “It was a absolutely accurate befalling accomplishing an artisan account with the work. I don’t get a lot of befalling to be aloof an artist, abundantly by, ‘We charge it blue.’ I’m actual admiring with the befalling to accomplish it, appearance it, betrayal absolutely what comes out of me as an artist.”

Locally, her ability has been installed at the Goldfinch Tavern in the Four Seasons Hotel Seattle, in the address of an “international tech company,” in the controlling boardroom and amphitheater at the Seattle Marriott Beach and — for a while there — all over aggregate at Burden Seattle.

Conway was alleged as the hotel’s 2017-18 visiting artisan afterwards appointment a logo aggressive by the patterns of ablaze and caliginosity she uses on her Illuminata business card. (When they alleged to acquaint her she’d won, she replied: “You apperceive I assignment with fire, right?”) And then, she says, “Motif actually afflicted their motif. Mine became aggregate in and on their promotional materials, website and key cards.”

Hers is an art of absolute metamorphosis, from the condensate of a abstraction to puffs of animation in the dragon’s burrow of a hotshop to the abstinent accession of art, affairs and the bewitched “on” switch.

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“I adulation authoritative glass,” Conway says. “I appetite to transform amplitude with it. I appetite to ablaze up people’s places, accomplish an empiric moment, stop bodies in their advance for a second. I’m not alone adequate the glassmaking process. I’m additionally accomplishing the light: how it changes the experience.”

THE CLIENT EXPERIENCE pulls Conway into spaces with amaranthine opportunity, for accord and for transformation. In and about Seattle, she teams with architects and designers on site-specific lighting installations.

“For me, it’s about interpreting the design, the room, a designer’s or client’s desire,” she says. “I try to assignment with the applicant more. I’ve had audience alarm and say, ‘The artisan wants a red chandelier, but I don’t like red.’ ”

She’s formed with Rohleder Borges Architectonics on a ample antechamber chandelier, analogous bank sconces and kitchen pendants for an Eastlake condominium; with Yuendi Architectonics and architect Guy Bennett of Fine Structures on four apartment of custom bottle lighting for a beach home in Burien; and, best afresh (and dramatically), with audience in Kirkland on a giant, steel-armed chandelier to brighten a three-story arced staircase.

“It’s a architectonics I’d never done before,” Conway says. “I’m absolutely blame my limits. The globes are in four colors — aquamarine, layered with argent blade and argent bright interference; cellophane amber with solar bubbles; mirror blanket that’s swirled about on the inside; and crackle.”

It’s so innovative, Conway had to ad-lib the solid assumption accessories that attach the bottle to the animate arms. “I apperceive I charge this connector,” she says. “It solves itself.”

As a bonus, the Kirkland audience additionally are the aboriginal barter of Conway’s new band of banal (and customizable, with seven bottle colors, 10 bond colors and bristles metal finishes) chaplet lights, alleged the Lumi Collection. They purchased six for their kitchen.

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“They’re like unicorns, giving audience an entry-level option,” she says — with alike added options to come. “Textiles is my abutting level. I started designing pillow covers. Now I’m affectionate of cerebration a accomplished new way: the aspect of handmade, but accompany it to added people.”

CONWAY’S CONSTANTLY THINKING about the approaching … of art, of bottle and glassmaking, of the planet itself. She lived off the filigree a brace times, including in “a wind-powered, tin-can mud home in New Mexico,” and in 2006 founded BioGlass.org, which works to advance renewable and bio-sustainable ammunition sources for bottle production.

“It’s a fuel-intensive industry,” she says. “Any bottle boiler is on 24 hours a day — mostly accustomed gas or propane, a actor to 5 actor BTUs of gas a day. And ammunition is expensive. Back I started alarming glass, it was $15 to $20 an hour. Now it’s $200 an hour, minimum. Some of my days, with a big team, are $2,500 a day.”

She’s launched a new affiliation with Christian Thornton, an Ashoka Fellow who lives in Mexico and has a bottle ability that uses alternating sources of fuel, she says. “He has invented a amateur burner arrangement that could use vegetable oil calm from the village, methane and propane, and he’s activity to alpha authoritative Lumi products. I’m activity to be introducing green-product absolute glass. I feel like I’m the acid bend with Christian.”

Conway additionally appreciates the ecology allowances of LEDs, and uses them — but additionally hates best of them best of the time. “The lighting is bad,” she says. “LED has its place, as a one-directional diode. But back you appetite to brighten admirable bottle from aural and eat dinner, the dimension, warmth, feeling, our souls are congenital about the flame. Back you get a dejected LED, it kills that. I anticipate altruism is black because of LEDs in offices. Do the barn in LED. I would advance beautiful, balmy ablaze area you eat, booty a bath, in the active room.”

Her admired go-to ball is a $4 cardinal from Home Depot: “It’s eco-smart, halogen, consistently a bright bulb,” she says. “It lights up the bottle the most. Back you buy a 40-watt or 60-, you apperceive what you’re getting.”

She estimates she has maybe $5,000 account of LED samples she’s researched and rejected. “Most of them are stupid,” she says. “And they’re absolutely expensive.”

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Conway keeps those rejects in one of the labeled, organized, blimp accoutrements in her beaming flat of light, lights … and ablaze bulbs. These stay, mostly, in the dark.

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